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The Alcázar of Seville, officially called Royal Alcázar of Seville (Spanish: Real Alcázar de Sevilla or Reales Alcázares de Sevilla), [1] is a historic royal palace in Seville, Spain. It was formerly the site of the Islamic-era citadel of the city, begun in the 10th century and then developed into a larger palace complex by the Abbadid ...
The Royal Sites (Spanish: Reales Sitios) are a set of palaces, monasteries, and convents built for and under the patronage of the Spanish monarchy. They are administered by Patrimonio Nacional (National Heritage) , a Spanish state agency; most are open to the public, at least in part, except when they are needed for state or official events.
The Royal Alcázar of Madrid (Spanish: Real Alcázar de Madrid) was a fortress located at the site of today's Royal Palace of Madrid, Madrid, Spain. The structure was originally built in the second half of the ninth century by the Muslims, then extended and enlarged over the centuries, particularly after 1560.
The Royal Alcazar of Madrid was a palace built by Holy Roman Emperor Charles V, (rebuilt by his son, Philip II) and was the main royal residence in Madrid until the Buen Retiro Palace partly superseded it in the 17th century. It was destroyed by fire in 1734, and the present Royal Palace of Madrid was built on the site.
'Saint Mary the Great', was found in 1085 [12] (three centuries after the Christians hid it from Muslims) in the conquest of the city by King Alfonso VI of León and Castile, in one of the hubs of the Walls, near the gate Puerta de la Vega, and placed in the old mosque, for the worship and devotion of the Court and the people of Madrid.
The Alcázar served both as a royal palace and a fortress for the Castilian monarchs, and its architecture reflects the grandeur and is a notable example of "power architecture": the impenetrable walls, the deep moat, its impressive towers like the Homage or John II's, and the strategic location symbolise power and authority. Furthermore, the ...
The Royal Baths were constructed in 1328 by King Alfonso the 11th. [25] They were structured into four rooms: the changing room, the cold room, the temperate room and the hot room. [25] They owe their name to Leonor de Guzmán, the King's mistress, in whose honour the Royal Baths were constructed. [25]
The royal couple's reflection pushes in the opposite direction, forward into the picture space. The vanishing point of the perspective is in the doorway, as can be shown by extending the line of the meeting of wall and ceiling on the right. Nieto is seen only by the king and queen, who share the viewer's point of view, and not by the figures in ...