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Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel's well-known oratorio from 1741.
Hallelujah! (gospel song) Handel's Last Chance; Handel's Messiah: A Soulful Celebration; M. Messiah (1999 film) Messiah (Mormon Tabernacle Choir album) Der Messias; R.
Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel.The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens.
Choosing the 10 best gospel albums of all time is tough. Many of the genre’s seminal recordings were made before the “album” concept solidified, taking instead the form of 78s, 45s, or other ...
List of non-single guest appearances, with other performing artists, showing year released and album name Title Year Other artist(s) Album Ref. "He Gave Me Sunshine" 1990 Reflex: We Love Gospel Music II [56] "Rejoice Greatly, O Daughter of Zion" 1992 The Richard Smallwood Singers Handel's Messiah: A Soulful Celebration [57] "Don't Cry" 2002 ...
In Handel’s great chorus, the word is joyous, victorious, accompanied by trumpets and drums. In Sergei Rachmaninoff’s "All Night Vigil," however, hallelujah reflects a more quiet devotion.
Messiah is not typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
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