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The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. It had a straight body, an open bell, and two keys.
The members of the oboe family from top: heckelphone, bass oboe, cor anglais, oboe d'amore, oboe, and piccolo oboe. The standard oboe has several siblings of various sizes and playing ranges. The most widely known and used today is the cor anglais (English horn) the tenor (or alto) member of the
The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d'amore.Whereas the oboe is the soprano instrument of the oboe family, the cor anglais is generally regarded as the alto member of the family, and the oboe d'amore—pitched between the two in the key of A—as the mezzo-soprano member. [5]
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
The oboe d'amore (Italian for 'love oboe'; (pronounced [ˈɔːboe daˈmoːre]), less commonly hautbois d'amour (French: [obwɑ damuʁ]), is a double reed woodwind musical instrument in the oboe family. [1] Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the mezzo-soprano of the oboe ...
The oboe da caccia (pronounced [ˈɔːboe da (k)ˈkattʃa]; literally "hunting oboe" in Italian), also sometimes referred to as an oboe da silva, is a double reed woodwind instrument in the oboe family, pitched a fifth below the oboe and used primarily in the Baroque period of European classical music. It has a curved tube, and in the case of ...
The heckelphone is a double reed instrument of the oboe family, but with a wider bore and hence a heavier and more penetrating tone. It is pitched an octave below the oboe and furnished with an additional semitone taking its range down to A. It reads in treble clef sounding one octave lower than written.
Ten Blake Songs is a song cycle for tenor or soprano voice and oboe composed over the Christmas period of 1957 by Ralph Vaughan Williams (1872–1958), for the 1958 film The Vision of William Blake by Guy Brenton for Morse Films. [1]