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AFI's 100 Years... 100 Heroes & Villains is a list of the one hundred greatest screen characters (fifty each in the hero and villain categories) as chosen by the American Film Institute in June 2003. It is part of the AFI 100 Years... series. The list was first presented in a CBS special hosted by Arnold Schwarzenegger.
Altruistic suicide is the sacrifice of one's life in order to save or benefit others, for the good of the group, or to preserve the traditions and honor of a society. It is always intentional. Benevolent suicide refers to the self-sacrifice of one's own life for the sake of the greater good. [1]
She redeems herself by self-sacrifice. [1] The woman's film is a film genre that includes women-centered narratives, female protagonists and is designed to appeal to a female audience. Woman's films usually portray stereotypical women's concerns such as domestic life, family, motherhood, self-sacrifice, and romance. [2]
A social problem film is a narrative film that integrates a larger social conflict into the individual conflict between its characters. In the context of the United States and of Hollywood , the genre is defined by fictionalized depictions of social crises set in realistic American domestic or institutionalized settings.
Artist (Adaptive) generations enter childhood during a Crisis, a time when great dangers cut down social and political complexity in favor of public consensus, aggressive institutions, and an ethic of personal sacrifice. Artists grow up overprotected by adults preoccupied with the Crisis, come of age as the socialized and conformist young ...
These two kinds of sacrifice do not obey the principle and not belongs to self-sacrifice. [4] Although there were many heroic events of self-sacrifice worth eulogizing, suicide terrorism, a violent type of self-sacrifice, has been more prevalent [clarification needed] in recent decades and drawing wide attention. An estimated 3,500 such ...
The Devil, Le Manoir du Diable Three minutes is all it took to scare the bejesus out of people in 1896. Granted, film for entertainment was a relatively new thing to the world at this stage, but ...
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...