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AFI's 100 Years... 100 Heroes & Villains is a list of the one hundred greatest screen characters (fifty each in the hero and villain categories) as chosen by the American Film Institute in June 2003. It is part of the AFI 100 Years... series. The list was first presented in a CBS special hosted by Arnold Schwarzenegger.
It is characterized by "identifying" with a speaker's rhetoric insofar as their words represent a world that seems to be that in which we live. [14] This theory differs from ethos most significantly in Burke's conception of artistic communication that he believes is defined by eloquence, which is "simply the end of art and therefore its essence."
Eroica (released in some territories as Heroism) is a 1958 Polish film by Andrzej Munk, and his second feature film after Man on the Tracks (1956). Eroica is composed of two separate stories, presenting satirical critiques of two aspects of the Polish character: acquisitive opportunism, and a romantic fascination for heroic martyrs.
P. G. Wodehouse, in The Code of the Woosters, invokes the heroic sacrifice of Sidney Carton on four occasions as a humorous counterpoint to Bertie Wooster's trivial predicaments. "The Ongoing Story", a poem by John Ashbery, makes direct reference to the character. On film and television, Sydney Carton has been portrayed by:
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...
The hero is often righteous or moralistically good, especially in the ancient epic, or else above all others in some field such as combat or leadership. The hero is the vehicle by which the epic's long, difficult narrative must be carried. They must therefore be a strong, distinct, and memorable character. [2]
Amidst the holiday hubbub, the real meaning of Memorial Day can often get lost amidst the excitement of a three-day weekend. While many people are busy hosting barbecues or scouring Memorial Day ...
Many writers may refer to any film that is "long" (over two hours) as an epic, making the definition epic a matter of dispute, and raise questions as to whether it is a "genre" at all. As Roger Ebert put it, in his "Great Movies" article on Lawrence of Arabia: [5] The word epic in recent years has become synonymous with big-budget B picture.