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The song is 5 minutes 18 seconds long. It was written by Roger Waters and performed by David Gilmour on vocals and guitar and Rick Wright on organ. The song has a hallucinogenic, pastoral quality, with prominent organ and bird sound effects, like those later that year featured on the Ummagumma track "Grantchester Meadows".
"Paint Box" (or, "Paintbox" on later reissues) is a song by the English rock band Pink Floyd, written and sung by keyboardist Richard Wright. [4] [5] It was first released in 1967 as the B-side to the single "Apples and Oranges". The song is about a man who lives in an abusive relationship and has artificial friends.
The song was written and performed entirely by Roger Waters. The song features his lyrics accompanied by an acoustic guitar, while a tape loop of a skylark sings in the background throughout the entire song. [2] At approximately 4:13, the sound of a honking Bewick's swan is introduced, followed by the sound of it taking off from water.
"Free Four" Roger Waters Roger Waters Obscured by Clouds: 1972 [1] "Get Your Filthy Hands Off My Desert" Roger Waters Roger Waters The Final Cut: 1983 [20] "Give Birth to a Smile" Roger Waters Roger Waters Uncredited female singers Music from The Body: 1970 [21] "The Gnome" Syd Barrett Syd Barrett The Piper at the Gates of Dawn: 1967 [10]
The Pink Floyd and Syd Barrett Story. Released: 24 March 2003; Label: Universal Home Video — — — — BPI: Platinum [5] MC: Gold [6] Classic Albums: Pink Floyd – The Making of The Dark Side of the Moon. Released: 26 August 2003; Label: Isis Productions, Eagle Rock Entertainment — 34 — — BPI: Platinum [5] ARIA: 4× Platinum [10] MC ...
The song contains a baroque, psychedelic folk instrumental section consisting of 12-string acoustic guitar and cello. Reflecting the experimental nature of many of the band's early psychedelic pieces, all instruments are panned to the extreme left hand and right hand sides of the stereo, with two vocal lines, one spoken and one sung.
Throughout the 1970s and beyond, the second-to-last line of lyrics to the song, "Making a date for later by phone", has been persistently misunderstood in Italy, mainly because of Waters' slurred pronunciation ("...fer-lita-pah-fon"), as being "Making a date for Rita Pavone", with a reference to the well-known 1960s Italian pop singer.
[9] Critic Mike Cormack notes that the song has "a quite radical lyric, neatly reversing the patriotic bombast and public-school derring-do of the Rudyard Kipling poem of the same name for the recognition (and thus valuing) of fragility and otherness", and that the "reversal of the values of patriarchal, class-bound Britain towards something ...