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WU Vienna, Library & Learning Center by Zaha Hadid. Neo-futurism is a late-20th to early-21st-century movement in the arts, design, and architecture. [2] [3]Described as an avant-garde movement, [4] as well as a futuristic rethinking of the thought behind aesthetics and functionality of design in growing cities, the movement has its origins in the mid-20th-century structural expressionist work ...
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. [3] It is both the process and the product of sketching, conceiving, [4] planning, designing, and constructing buildings or other structures. [5]
Through modifications and adaptations of local inspiration, the Byzantine style will be used as the main source of inspiration for architectural styles in all Eastern Orthodox countries. [129] For example, in Romania, the Brâncovenesc style is highly based on Byzantine architecture, but also has individual Romanian characteristics.
In Northern and Central Italy, it was the Etruscans who led the way in architecture in that time. Etruscan buildings were made from brick and wood, thus few Etruscan architectural sites are now in evidence in Italy, [6] with the exception of a few in Volterra, Tuscany and Perugia, Umbria. The Etruscans built temples, fora, public streets ...
The architectural designs were in the Indo-Saracenic – blends of Hindu, Muslimor Islamic, Rajput, and Gothic styles of architecture under the Wodeyar Dynasty or Kingdom of Mysore from 1399 to 1947. Indo-Saracenic type is most notably manifested in palaces and courtly buildings built in various styles, and temples built in the Dravidian style.
Basil Al Bayati (Arabic: باسل البياتي; born 13 May 1946) is an Iraqi-born architect and designer who has lived and practiced for the most part in Europe, in particular, London and who Neil Bingham, in his book 100 Years of Architectural Drawing: 1900–2000, has described as "an architect in whom East meets West."
Organic architecture is a philosophy of architecture which promotes harmony between human habitation and the natural world. This is achieved through design approaches that aim to be sympathetic and well-integrated with a site, so buildings, furnishings, and surroundings become part of a unified, interrelated composition.
Making Place: The Architecture of David Adjaye was on display at the Art Institute of Chicago from September 2015 to January 2016. [46] In November 2020, Adjaye published his early portfolio in his book titled Adjaye Works 1995–2007: Houses, Pavilions, Installations, Buildings [ 47 ] with Peter Allison and Thames & Hudson .
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