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Tortoise" or "Ikaki" is the most commonly produced motif and pattern.The main motif, ikaki, imagined as a tortoise here, is based on Ijebu Yoruba prestige cloth, Aso-olona. [8] Traditionally, it was created solely for royalty; [ 12 ] anyone who wore Ikaki that was not royal would be sold into slavery.
While the Amhara in Ethiopia use double headle pit-treadle looms, where the weaver sits on the edge of a small pit dug in the ground. Vertical looms: Berbers in North Africa and the Yoruba in Nigeria used broad, upright vertical looms to weave cotton cloth while single heddle vertical looms are used in Cameroon and the Congo.
African formal clothing has normalized western clothing conventions and styles. European influence is commonly found in African fashion as well. For example, Ugandan men have started to wear "full length trousers and long-sleeved shirts". On the other hand, women have started to adapt influences from "19th-century Victorian dress". These styles ...
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. [3] Example messages include adweneasa , which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft -based patterns woven into every available block of plain weave.
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