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While the Amhara in Ethiopia use double headle pit-treadle looms, where the weaver sits on the edge of a small pit dug in the ground. Vertical looms: Berbers in North Africa and the Yoruba in Nigeria used broad, upright vertical looms to weave cotton cloth while single heddle vertical looms are used in Cameroon and the Congo.
Social status plays a role in the wearing of Akwete cloth, certain motifs being reserved for royalty, such as Ikaki, or used as a talisman to protect warriors going into battle or women in pregnancy, such as the "Ebe" motif. [2] [5] Some patterns are reserved for special families or occasions because of circumstances pertaining to motif origin ...
African formal clothing has normalized western clothing conventions and styles. European influence is commonly found in African fashion as well. For example, Ugandan men have started to wear "full length trousers and long-sleeved shirts". On the other hand, women have started to adapt influences from "19th-century Victorian dress". These styles ...
African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
The designs and motifs in kente cloth are traditionally abstract, but some weavers also include words, numbers and symbols in their work. [3] Example messages include adweneasa , which translates as 'I've exhausted my skills', is a highly decorated type of kente with weft -based patterns woven into every available block of plain weave.
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric.
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