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Because icons in Orthodoxy must follow traditional standards and are essentially copies, Orthodoxy never developed the reputation of the individual artist as Western Christianity did, and the names of even the finest icon painters are seldom recognized except by some Eastern Orthodox or art historians. Icon painting was and is a conservative ...
This category relates to religious Eastern Orthodox icons, icon painting, and icon painters. Subcategories. This category has the following 6 subcategories, out of 6 ...
Russian icon of the Old Testament Trinity by Andrei Rublev, between 1408 and 1425. The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches.
The Eastern Orthodox view of the origin of icons is generally quite different from that of most secular scholars and from some in contemporary Roman Catholic circles: "The Orthodox Church maintains and teaches that the sacred image has existed from the beginning of Christianity", Léonid Ouspensky has written. [40]
According to Christian legend, the image of Edessa, (known to the Eastern Orthodox Church as the Mandylion, a Medieval Greek word not applied in any other context), was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus was imprinted — the first icon ("image").
Between 1949 and 2004, the icon remained at Holy Trinity Orthodox Cathedral in Chicago, Illinois. In August 1978, the Theotokos of Tikhvin was brought by Archbishop John, who had become the Orthodox Church in America's Archbishop of Chicago and Minneapolis for veneration to St Mary's Russian Orthodox Church in Holdingford, Minnesota. [2]
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