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Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not ...
Tozer, Jane and Sarah Levitt, Fabric of Society: A Century of People and their Clothes, 1770–1870, Laura Ashley Press, ISBN 0-9508913-0-4; Pepys' diary for June 1666 Archived 2020-01-20 at the Wayback Machine; Emily Post's Etiquette, 1922, Chapter XXXIII. Dress See paragraph 40 "Riding Clothes" Riding Habits at the Regency Garderobe
Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
Demorest Paper Patterns were also advertised in other women's magazines at the time. [2] By the 20th century, sewing patterns were marketed for home dressmakers as well as professionals, and available in magazines, catalogs, and in shops. The commercial paper pattern industry had begun to be a major influence in the clothing industry. [2]
The curls of the wig throughout the 1660s until 1700 were rather loose. Tighter curls would not make their appearance until after 1700. Every natural color of wig was possible. Louis XIV tended to favor a brown wig. His son, commonly referred to as Monseigneur, was well known for wearing blond wigs. Facial hair declined in popularity during ...
New ideas about fashion were conveyed by little dolls dressed in the latest style, newspapers, and illustrated magazines; [14] for example, La Belle Assemblée, founded by John Bell, was a British women's magazine published from 1806 to 1837. It was known for its fashion plates of contemporary fashions, demonstrating ways for women to dress and ...
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