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Venus Callipyge by François Barois, 1683–1686 (Musée du Louvre). The restorers' decision to have the figure look over her back greatly affected subsequent interpretations, to the point that the classicists Mary Beard and J. G. W. Henderson describe it as having "created a 'masterpiece' in place of a fragment". [6]
Valeria, the name of the women of the Valeria gens. Valeria, first priestess of Fortuna Muliebris in 488 BC [1]; Aemilia Tertia (с. 230 – 163 or 162 BC), wife of Scipio Africanus and mother of Cornelia (see below), noted for the unusual freedom given her by her husband, her enjoyment of luxuries, and her influence as role model for elite Roman women after the Second Punic War.
The Romans of the Classical period had no specific word for female gladiators as a type or class. [1] The earliest reference to a woman gladiator as gladiatrix is by a scholiast in the 4th–5th century, who mockingly wonders whether a woman undergoing training for a performance at the ludi for the Floralia, a festival known for racy performances by seminude dancers, wants to be a gladiatrix ...
The earliest Roman coins depicted Justitia with the sword in one hand and the scale in the other, but with her eyes uncovered. [8] Justitia was only commonly represented as "blind" since the middle of the 16th century. The first known representation of blind Justice is Hans Gieng's 1543 statue on the Gerechtigkeitsbrunnen (Fountain of Justice ...
Online Companion to the Worlds of Roman Women. WomenintheAncientWorld.com (2005). Dr. Susan Martin, Private Lives and Public Personae, 1997. WomenintheAncientWorld.com (2005). Moya K. Mason, Ancient Roman Women: A Look at their Lives. Essay on the lives of Roman women. "Wife-beating in Ancient Rome": an article by Joy Connolly in the TLS, April ...
Roman portraiture is characterized by its "warts and all" realism; bust of Lucius Caecilius Iucundus, a cast from the original in bronze, found in Pompeii, now in the Naples National Archaeological Museum. Roman portraiture was one of the most significant periods in the development of portrait art. The surviving portraits of individuals are ...
Particularly in Roman examples like the Tivoli General or Delos "Pseudo-Athlete", this could lead to an odd juxtaposition of a hyper-realistic portrait bust in the Roman style (warts-and-all for the men, or with an elaborate hairstyle for the women) with an idealized god-like body in the Greek style. Male genitalia explicitly were not depicted ...
Castings of Sleeping Ariadne vs Nymph from Fontaine des Innocents.. Michelangelo drew from the sculpture's wrapping of the arms around the head in his Night and Dawn. [17]The Cleopatra, as it was then known, was set upon a Roman sarcophagus and fitted as a fountain in a niche at one end of the uppermost terrace of the Cortile del Belvidere, embodying in its setting the description of a ...