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The diabolo drink appeared before 1920, [3] and became popular in France in the 1920s. The drink was around that time described as a mixture of a lemon soda and a 'very light tincture of liqueur', [4] a lemonade and a cassis liquor, [5] or a lemon-lime soda and a syrup.
The naiad Minthe, daughter of the infernal river-god Cocytus, became concubine to Hades, the lord of the underworld and god of the dead. [9] [10] In jealousy, his wife Persephone intervened and metamorphosed Minthe, in the words of Strabo's account, "into the garden mint, which some call hedyosmos (lit. 'sweet-smelling')".
Crème de menthe (pronounced [kʁɛm də mɑ̃t], French for "mint cream") is a sweet, mint-flavored alcoholic beverage. It is available commercially in a colorless version (called "white") and a green version (colored by the mint leaves or by added coloring if made from extract instead of leaves). [ 1 ]
Louise of Lorraine (French: Louise de Lorraine-Vaudémont; 30 April 1553 – 29 January 1601) was Queen of France as the wife of King Henry III from their marriage on 15 February 1575 until his death on 2 August 1589. During the first three months of their marriage, she was also Queen of Poland and Grand Duchess of Lithuania.
The Hameau de la Reine (French pronunciation: [amo də la ʁɛn], The Queen's Hamlet) is a rustic retreat in the park of the Château de Versailles built for Marie Antoinette in 1783 near the Petit Trianon in Yvelines, France. It served as a private meeting place for the queen and her closest friends and as a place of leisure.
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Juana la Beltraneja, a play by Santiago Sevilla (Humanities Portal of Liceus.com). The depiction of Juan Pacheco and Beltrán de la Cueva shows the pernicious influence of certain members of the nobility towards princess Joanna. Isabel, a Spanish television series about Isabella I of Castile, which includes Joanna (Isabella's niece). Joanna is ...
The Trois petites liturgies de la présence divine (English: Three Small Liturgies of the Divine Presence) form a tripartite cantata by Olivier Messiaen. One of his most pivotal and controversial works, it was written from 1943 through 1944, for women's voices, piano solo, onde Martenot, percussion battery, and small string orchestra. Its ...