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Margaret was the daughter of Sara Fina (sometimes spelled Serafina) [4] [5] Guiterrez Tafoya (1863–1949) and Jose Geronimo Tafoya (1863–1955). She attended the Santa Clara Pueblo elementary school, and then the Santa Fe Indian School [6] from 1915 to 1918. [7]
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Alice Williams Cling (Navajo, born March 21, 1946) [1] is a Native American ceramist and potter known for creating beautiful and innovative pottery that has a distinctive rich reds, purples, browns and blacks that have a polished and shiny exteriors, revolutionizing the functional to works of art.
Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945.Collection deYoung Museum María and Julián Martinez pit firing black-on-black ware pottery at P'ohwhóge Owingeh (San Ildefonso Pueblo), New Mexico (c.1920) Incised black-on-black Awanyu pot by Florence Browning of Santa Clara Pueblo, collection Bandelier National Monument Wedding Vase, c. 1970, Margaret Tafoya of ...
Cushing "went native" for a number of years, appropriating the Zuni traditional dress and customs; he is credited as the first American participant observer anthropologist. Stevenson, a self-taught anthropologist and his ethnographer wife Matilda (Tilly) met up with Cushing at Zuni, and later embarked on expeditions at Zia, San Ildefonso ...
Native American Mythology. Dover Publications. ISBN 978-0-486-12279-3. Bastian, Dawn Elaine; Judy K. Mitchell (2004). Handbook of Native American Mythology. ABC-CLIO. ISBN 978-1-85109-533-9. Erdoes, Richard and Ortiz, Alfonso: American Indian Myths and Legends (New York: Pantheon Books, 1984) Ferguson, Diana (2001). Native American myths ...
Maria Poveka Montoya Martinez (c. 1887 – July 20, 1980) was a Puebloan artist who created internationally known pottery. [1] [2] Martinez (born Maria Poveka Montoya), her husband Julian, and other family members, including her son Popovi Da, examined traditional Pueblo pottery styles and techniques to create pieces which reflect the Pueblo people's legacy of fine artwork and crafts.
Glazes are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well. [2] Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit ...
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