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Reich argues that character structures were organizations of resistance with which individuals avoided facing their neuroses: different character structures — whether schizoid, oral, psychopathic, masochistic, hysterical, compulsive, narcissistic, or rigid — were sustained biologically as body types by unconscious muscular contraction.
Some Character-Types Met within Psycho-Analytic Work is an essay by Sigmund Freud from 1916, comprising three character studies—of what he called 'The Exceptions', 'Those Wrecked by Success' and 'Criminals from a Sense of Guilt'.
The best analysis of a play", Stanislavski argued, "is to take action in the given circumstances." [ 8 ] Thanks to its promotion and development by acting teachers who were former students and the many translations of Stanislavski's theoretical writings, his system acquired an unprecedented ability to cross cultural boundaries and developed a ...
The term character development is sometimes used as a synonym. This representation may include direct methods like the attribution of qualities in description or commentary, and indirect (or "dramatic") methods inviting readers to infer qualities from characters' actions , dialogue , or appearance.
The second act, or confrontation, is considered to be the bulk of the story. Here, the characters' conflict is most developed (particularly between the protagonist and antagonist) as well as any changes in values and personality one or more characters may undergo (known as character development, or a character arc). This leads to the second ...
During the second act, also referred to as "rising action", the character arc develops as the protagonist attempts to resolve the problem initiated by the first turning point, only to discover ever-worsening situations, which often lead to the learning of new skills, the discovery of capabilities, and (sometimes late in the second act if at all) the raising of self-awareness.
Building a Character (Russian: Работа актера над собой) is the second of stage actor/director Constantin Stanislavski's three books on his method for learning the art of acting. It was first published in Russian in 1948; Elizabeth Reynolds Hapgood 's seminal English translation was published by Theatre Art Books of New York ...
Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterization. [6] A character who stands as a representative of a particular class or group of people is known as a type. [9] Types include both stock characters and those that are more fully individualized. [9]