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(Psalms 38:9). "Dominus regit me" (The lord leads me), known as: The Lord is my shepherd) are the first two verses of Psalm 23 (Psalm 22 in the Vulgate), reading in the KJ translation: "The Lord is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters." (Psalms 23:1-2).
It is a metrical psalm commonly attributed to the English Puritan Francis Rous and based on the text of Psalm 23 in the Bible. The hymn first appeared in the Scots Metrical Psalter in 1650 traced to a parish in Aberdeenshire. [1] It is commonly sung to the tune Crimond, which is generally credited to Jessie Seymour Irvine. [2]
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: ... verses 1–4, No. 4 of his Biblical Songs (1894) Howard Goodall ...
Biblical Songs (Czech: Biblické písně) is a song cycle which consists of musical settings by Czech composer Antonín Dvořák of ten texts, selected by him, from the Book of Psalms. It was originally composed for low voice and piano (1894, Op. 99, B. 185).
The 40th Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [30] "1984" Diamond Dogs: David Bowie: Nineteen Eighty-Four: George Orwell: One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem ...
The 23rd psalm, in which this phrase appears, uses the image of God as a shepherd and the believer as a sheep well cared-for. Julian Morgenstern has suggested that the word translated as "cup" could contain a double meaning: both a "cup" in the normal sense of the word, and a shallow trough from which one would give water to a sheep.
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The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969. They are seen as one of Brakhage's major works [1] [2] and include the feature-length 23rd Psalm Branch, considered by some to be one of the filmmaker's masterworks [3] and described by film historian P. Adams Sitney as "an apocalypse of imagination."