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Rob Thomas told Billboard magazine that it's "a love song and a rock song; there's a hopeful tone to it. It's kind of like the person is saying, 'As misguided as I may be, these are things that it takes to be with me.'" [2] This was Thomas' first attempt at a love song and he believes it is co-dependent of the 21st century.
Cradlesong, Thomas' second album, was released in June 2009. It peaked at number 3 on the Billboard 200. Four singles were released, including the single "Her Diamonds", Thomas' second Top 40 single on the Hot 100. The three additional singles released all failed to crack the Top 40 in the US, but the album was eventually certified Gold by the ...
In a positive review, Stephen Thomas Erlewine of AllMusic described the record as, "an album that deliberately side-steps many of Thomas' signature moves while still sounding unmistakably like him." [ 3 ] The Boston Globe ' s Sarah Rodman wrote that on The Great Unknown , the singer continues his career of composing, "catchy melodies, lyrics ...
Rob Thomas, who is out taking his dog for a walk, is sitting on a bench when the dove that once was Marisol lands beside him. He takes the message from its leg and then releases her. The video ends with crowds of people staring up in wonder as Wilmer's flock of doves color the sky and Marisol returning to Wilmer while Rob watches from his window.
The video is taken directly from footage released on the DVD Show: A Night in the Life of Matchbox Twenty, and as such, is a live performance.As he also does in the studio version of the song, Thomas plays the piano, and towards the end, lead guitarist Kyle Cook jumps atop the piano.
Download as PDF; Printable version; ... Pages in category "Songs written by Rob Thomas (musician)" ... Pieces (Rob Thomas song) Push (Matchbox Twenty song) R.
As the video progresses, Thomas escapes from the pursuer and sings a few lines while walking along another part of the city. Just as he finishes the second verse, the hooded pursuer catches up again and Thomas runs through a bar, escaping through the bar's basement door. Thomas loses the pursuer again and goes into an elevator in another building.
The music video for the song, directed by Pedro Romhanyi, [18] is filmed completely in black and white and features only the band (along with two trumpet players and a trombone player), performing at night on the rooftop of a building in the central business district of downtown Los Angeles. Halfway through the video, Rob Thomas steps onto the ...