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Recorded in Nassau, Bahamas, with Sly and Robbie, Wally Badarou, Barry Reynolds, Mikey Chung, and Uziah "Sticky" Thompson, aka the Compass Point Allstars under Chris Blackwell's and Alex Sadkin's direction, "I've Seen That Face Before" was released as the second single from Jones' album Nightclubbing, after "Demolition Man" made no chart impact.
The video starts with dialogue from Ian McShane and shows how the cover art of Slave to the Rhythm was made, a before and after of the cover art image, then it shows a series of clips from archived music videos including "My Jamaican Guy", "I've Seen That Face Before (Libertango)" and the suicide scene from "Living My Life" edited to towards ...
"I've Seen That Face Before (Libertango)" Jean-Paul Goude "Pull Up to the Bumper" 1982 "My Jamaican Guy" "Living My Life" 1985 "Slave to the Rhythm" 1986 "Love Is the Drug" Matt Forrest and Bruno Tilley "I'm Not Perfect (But I'm Perfect for You)" Grace Jones, [39] Keith Haring: 1987 "Crush" 1989 "Love on Top of Love" Greg Gorman: 2008
Nightclubbing is the fifth studio album by Jamaican singer Grace Jones, released on 11 May 1981 by Island Records.Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by rhythm section Sly and Robbie, the album marked her second foray into a new wave style that blends a variety of genres ...
Mildred Bailey - recorded January 10, 1938 for Vocalion Records (catalog No.3931). [5]Mary Martin - included in the album Mary Martin – Sings for You (1949). [6]Bing Crosby recorded the song in 1955 [7] for use on his radio show and it was subsequently included in the box set The Bing Crosby CBS Radio Recordings (1954-56) issued by Mosaic Records (catalog MD7-245) in 2009.
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Jam Sessions makes use of the DS touch screen to simulate strumming on a real guitar, while the D-pad is used for selecting chords.The game allows players to play through a list of songs in order to unlock other features such as upgraded strings and new backgrounds, while Free Play allows the player to simply strum away, playing out songs or practicing without being judged.
The song was the third European single from Grace Jones' 1986 album Inside Story, co-produced by Jones and Nile Rodgers.It was released simultaneously with "Crush", which promoted Inside Story in North America.