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Each character in commedia dell'arte is distinctly different, and defined by their movement, actions, masks, and costumes. These costumes show their social status and background. Pantalone typically wore tight red pants and a matching shirt, a long black cape, black or red pointed shoes, and a belt that had a purse attached. Pantalone also ...
Brighella, from the 16th century. Brighella (Bergamasque dialect: Brighèla) is a comic, masked character from the Italian theatre style commedia dell'arte.His early costume consisted of loosely fitting, white smock and pants with green trim and was often equipped with a batocio (also batacchio or battacio, depending on region) or slapstick, or else with a wooden sword.
The costumes of the lovers were the fashion of the day, and the extravagance of the lovers costumes often represented the status of the commedia dell'arte company. [5] The lovers never wear the masks, which is characteristic of most of the other stock characters in the commedia dell'arte.
Eduardo De Filippo as Pulcinella, a character from the commedia dell'arte Commedia dell'arte troupe I Gelosi performing, by Hieronymus Francken I, c. 1590. Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries.
Zanni (Italian:), Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker". [1] [Note 1] Through time, the Zanni grew to be a popular figure who was first seen in commedia as early as the 14th century. [2]
Burattino is one of three commedia dell'arte masks mentioned by Bartolomeo Rossi in the foreword to his 1584 comic pastoral play Fiammella, as examples of low-life characters who speak the Bergamasque dialect (usually approximate), the other two being Pedrolino and Arlecchino. As a rustic dialect, it signaled the character's low social status ...
Sandrone (Sandróun in Modenese dialect) is the traditional mask and character of the Commedia dell'arte representing the city of Modena. [1] Origin
Pedrolino is a primo ('first') Zanni, or comic servant, of the commedia dell'arte; the name is a hypocorism of Pedro ('Peter'), via the suffix -lino. The character made its first appearance in the last quarter of the 16th century, apparently as the invention of the actor with whom the role was to be long identified, Giovanni Pellesini.
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