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The rhythm was composed around the 1950s in the wake of Ghana’s independence, and became popular. It is known as Ghana’s signature rhythm. Because of the popularity of the rhythm, the tswreshi became widely known as the kpanlogo drum. Kpanlogo are traditionally played by an ensemble of drummers, often in sets of six kpanlogo drums of varied ...
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the dono drum [22] 26 Dono ntoasuo: the double dono drums [21] 27 Duafe: the wooden comb [20] 28 Dwenini aben: the ram's horns [21] 30 Epa: handcuffs [20] 34 Fihankra: the circular house [21] 35 Se die fofoo pe, ne se gyinantwi abo bedie: what the yellow-flowered fofoo plant wants is that the gyinantwi seeds should turn black An Asante saying.
One of West Africa’s foremost documentarians of the 20th century, J.K. Bruce-Vanderpuije created a prolific record of life in pre- and post-independence Ghana.
Some African drums can even imitate consonants by hitting the drum with a stick or hand at different angles and with different parts of the stick or hand. The Ewe also play a pair of two drums called atumpan (pronounced ah-toom-pahn), which are used all over Ghana as talking drums. The atumpan player stands up and plays the drum with two sticks ...
The Aburukuwa (also known as the Abrukwa) is an open drum of the Akan people and the Asante people of Ghana. It is a high-pitched talking drum used by the Akan people, [1] bottle-shaped with its skin is held on by pegs. It is usually played with curved sticks.
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent. [1] [2] [3] The best known modern genre originating in Ghana is Highlife. [4] For many years, Highlife was the preferred music genre until the introduction of Hiplife and many others. [5] [6]
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