Search results
Results from the WOW.Com Content Network
A re-recording is a recording produced following a new performance of a work of music. This is most commonly, but not exclusively, by a popular artist or group. It differs from a reissue, which involves a second or subsequent release of a previously-recorded piece of music.
Produced in collaboration with the Ms. Foundation for Women, [1] it was a record album and illustrated book first released in November 1972 featuring songs and stories sung or told by celebrities of the day (credited as "Marlo Thomas and Friends") including Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, Roberta Flack ...
[12] [18] It has also been called a major element of censorship found in democratic societies, otherwise critical of the concept of censorship. Hannibal Travis wrote that "copyright largely determines the accessibility and cost of information in a democratic society, and that it grants rights holders substantial powers of censorship through the ...
The ideas that make up censorship differ greatly from country to country. However, even if no pattern can be observed, it is normally set about through power. [10] Censorship as a whole terminates unwanted messages in hopes of keeping the targeted listener's vision and actions in check. [11] It is known for being dependent on three different ...
“If we were sad (listening to a song) 20 years ago, we’re going to be sad today, but with a distance from that sadness … so there’s a different sense of enrichment in the experience ...
Known informally as "Charlie on the MTA", the song's lyrics tell an absurd tale of a man named Charlie trapped on Boston's subway system, which was then known as the Metropolitan Transit Authority (MTA). The song was originally recorded as a mayoral campaign song for Progressive Party candidate Walter A. O'Brien.
The Supreme Court’s recent ruling that makes it harder to hold people responsible for harassment online could send a troubling symbolic message about free speech to institutions other than ...
Tipper Gore, co-founder of the Parents Music Resource Center in 1985. The Parents Music Resource Center (PMRC) was an American committee formed in 1985 [1] with the stated goal of increasing parental control over the access of children to music deemed to have violent, drug-related, or sexual themes via labeling albums with Parental Advisory stickers.