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An example of the Eastlake Style in Glendale, California. The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
The design would receive ornamentation from paint and inlays used on the piece. The book influenced cabinet makers and furniture companies for several generations. The work of these generations influenced in turn copies of the original designs and variants of them through the 19th and 20th centuries.
In the 1980s, after watching a salvage operation, Bob Rosenzweig started the reproduction and selling of his faux-antique bulbs. [9] These vintage-style light bulb reproductions were sold mostly to collectors and prop houses, and continued until the turn of the 21st century when new regulations banned low-efficiency lighting in many countries.
The electric bath was featured on the Olympic and the Titanic inside the Victorian-style Turkish baths. Women could use the bath during the morning hours, and men could use it during the afternoon and evening hours. A ticket was required to use the bath, and could be purchased from the bath attendants for four shillings or one dollar.
Kimbel & Cabus display at the 1876 Centennial Exposition. Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel (c. 1821 –1895) [1] and French-born cabinetmaker Joseph Cabus (1824–1894).
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A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies.
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