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Persephone Press was a publishing company and communications network run by a lesbian-feminist collective in Watertown, Massachusetts. The company published fourteen books [ 1 ] between 1976 and 1983, when the organization was sold to Beacon Press .
This Bridge Called My Back: Writings by Radical Women of Color is a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa first published in 1981 by Persephone Press. The book centers on the experiences of women of color and emphasizes the points of what is now called intersectionality within their multiple identities, [ 1 ...
The Wanderground is a speculative fiction novel by Sally Miller Gearhart, published in 1978 by Persephone Press. It is Gearhart's first and most famous novel, and continues to be used in women's studies classes as a characteristic example of the separatist feminism movement from the 1970s. [1]
Persephone Books is an independent publisher based in Bath, England. Founded in 1999 by Nicola Beauman, Persephone Books reprints works largely by women writers of the late 19th and 20th century, though a few books by men are included. The catalogue includes fiction (novels and short stories) and non-fiction (diaries, memoirs and cookery books).
Beauman's Persephone Books is a publishing house that mainly publishes female authors. It was founded in 1998 [ 2 ] as a mail-order publisher, [ 6 ] and sales are mostly made online. In May 2021 the company's retail shop moved from Bloomsbury in London to Bath.
The second was from 1981 with Persephone Press, titled Lesbian Poetry: An Anthology. [3] [1] Bulkin was a founding editor of two nationally distributed periodicals: Conditions, a magazine of writing by women with an emphasis on writing by lesbians, and Bridges: A Journal for Jewish Feminists and Our Friends. [2] [4]
Persephone Press; R. Reader's Digest Press; T. Te Herenga Waka University Press This page was last edited on 21 September 2020, at 04:55 (UTC). Text is available ...
Alarcón has a long history with This Bridge Called My Back, an anthology of writing by women of color. [6] She published an essay in the 1981 Persephone Press edition of Bridge called "Chicana's Feminist Literature: A Re-vision Through Malintzin/or Malintzin: Putting Flesh Back on the Object."