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The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered.
Elizabeth Castaldo Lundén placed the tuxedo dress in counterpoint to a long history of women wearing suits at the Oscars. Lundén also noted that although Porter wore another gown to the 92nd Academy Awards in 2020, the press had by then "incorporated his fashion statement into the usual pool of red-carpet critique", so it was no longer ...
Zendaya wore a white dress with a bubble skirt at the 2016 Glamour Women of the Year event. ... Her tuxedo-style crop top and sleek black trousers were ... giant pockets, and a split sleeve that ...
Working-class women during the Tenant's Strike of 1907 in Buenos Aires. Golfing costume of 1907 features a tailored jacket and matching ankle-length skirt with patch pockets. Motoring required voluminous coats or dusters to keep clothes clean and wearers warm in open automobiles. They were worn with fashionable hats wrapped in veils, gloves ...
Sleeves were bell- or trumpet-shaped, and caught up at the elbow to show the frilled or lace-trimmed sleeves of the shift beneath. Sleeves became narrower as the period progressed, with a frill at the elbow, and elaborate separate ruffles called engageantes were tacked to the shift sleeves, in a fashion that would persist into the 1770s.
Farthingale sleeves for Catherine Fenton Boyle cost 4 shillings and 4 pence in October 1604 from Robert Dobson, a London tailor. [42] In 1605, Catherine Tollemache wrote to her London tailor, Roger Jones, about farthingale sleeves covered with satin, and he suggested another style of sleeve now in fashion would be "fytter" for her new gown. [43]
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