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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine art as well as Eastern Orthodox and Eastern Catholic Christianity. [2]
[22] [23] In a letter to the Society for the Encouragement of Artists committee dated 27 November 1834, Ivanov reported that he was still working on the painting Jesus, Revealing Himself to the Magdalene after the Resurrection, "three and a half arshin high, five long," [19] and asked for his pension to be continued: "But, prompted by a lively ...
According to the Gospel of John, Thomas the Apostle missed one of Jesus's appearances to the Apostles after his resurrection, and said "Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe it." [2] A week later, Jesus appeared and told Thomas to touch him and stop ...
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
A well known modern variant of the traditional hand motif is a sculpture of 1898 by Auguste Rodin called the Hand of God, which shows a gigantic hand creating Adam and Eve. The Sacrifice of Isaac first appears in Christian art in 4th century depictions from the Roman catacombs and sarcophagi, as well as pieces like a fragment from a marble ...
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The drawing shows a close up of two male hands clasped together praying. Also, the partly rolled up sleeves are seen. Also, the partly rolled up sleeves are seen. The drawing used to be considered a sketch (study) for hands of an apostle , whose full picture was planned to occupy the central panel of the triptych installed in Frankfurt entitled ...