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This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
Aipan art drawn on the entrance of a house. Aipan (Kumaoni: Ēpaṇ) is an established-ritualistic folk art originating from Kumaon in the Indian Himalayas.The art is done mainly during special occasions, household ceremonies and rituals.
Mysore Painting depicting Goddess Saraswati. Mysore painting (Kannada: ಮೈಸೂರು ಚಿತ್ರಕಲೆ) is an important form of classical South Indian painting style that originated in and around the town of Mysore in Karnataka. The painting style was encouraged and nurtured by the Mysore rulers.
Mahasarasvati is described to be the slayer of Shumba in the Devi Bhagavata Purana, suggesting that she has little to do with Saraswati. [7] Mahalakshmi is the prosperity aspect of Devi. She has two forms, Vishnu-priya Lakshmi and Rajyalakshmi. The former is the embodiment of chastity and virtuousness. The latter goes about courting kings.
Vasant Panchami, also rendered Vasanta Panchami [4] [5] and Saraswati Puja in honour of the Hindu goddess Saraswati, is a festival that marks the preparation for the arrival of spring. The festival is celebrated in Indian religions in different ways depending on the region.
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The Saraswati Vandana (Sanskrit: सरस्वती वन्दना, romanized: Sarasvatī Vandanā) is a Hindu mantra. It is addressed to the goddess Saraswati , the goddess of knowledge, music, art, speech, wisdom, and learning.