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Alice Dunbar Nelson (July 19, 1875 – September 18, 1935) was an American poet, journalist, and political activist. Among the first generation of African Americans born free in the Southern United States after the end of the American Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance.
A carnival song or canto carnascialesco (pl. canti carnascialeschi) was a late fifteenth- and early sixteenth-century song used to celebrate the carnival season in Florence, mainly the weeks preceding Lent and the Calendimaggio, which lasted from May 1 to June 24. The festivities included song and dance, usually performed or led by masked ...
Dylan has cited the influence of Federico Fellini's movie La Strada on the song, [10] [20] while other commentators have found echoes of the poetry of Arthur Rimbaud. [ 2 ] [ 21 ] [ 22 ] Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording. [ 20 ]
Carnival!'s equivalent of "Hi-Lili, Hi-Lo", the signature song from the musical's parent film Lili, "Love Makes the World Go 'Round" is played on a concertina at the play's opening and is later sung by the characters Lili and Paul Berthalet, with the latter being concealed while his puppets apparently sing.
"A Song for Simeon" is a 37-line poem written in free verse. The poem does not have a consistent pattern of meter. The lines range in length from three syllables to fifteen syllables. Eliot uses end rhyme sporadically in 21 lines of the poem, specifically: [1] [2] and, hand, stand, and land (in lines 1, 3, 5, 7) poor and door (lines 10 and 12)
J'ouvert (/ dʒ uː ˈ v eɪ / joo-VAY) (also Jour ouvert, Jouvay, or Jouvé) [1] [2] [3] is a traditional Carnival celebration in many countries throughout the Caribbean. The parade is believed to have its foundation in Trinidad & Tobago, with roots steeped in French Afro-Creole traditions such as Canboulay.
"Carnival" was the first released material by the Cardigans on which Nina Persson received a writing credit, on this occasion alongside bassist Magnus Svenningsson whom she would later supersede as the group's primary lyricist. The song concerns the narrator's unrequited love for a boy, and mentions a "carnival" (the description actually ...
Russian composer Nikolai Rimsky-Korsakov also mistook "Funiculì, Funiculà" for a traditional folk song and used it in his 1907 "Neapolitanskaya pesenka" (Neapolitan Song). [ 13 ] Cornettist Herman Bellstedt used it as the basis for a theme and variations titled Napoli ; a transcription for euphonium is also popular among many performers.