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An Embarrassment of Riches is a 2000 novel written by Filipino novelist Charlson L. Ong.A Second Place Philippine Centennial Literary Prize winner, the novel was published in Quezon City, Philippines [2] [3] by the Philippine Centennial Commission, the University of the Philippines Press, and the UP Creative Writing Center, in celebration of the one hundred years of Philippine independence ...
The ilustrado class was composed of Philippine-born and/or raised intellectuals and cut across ethnolinguistic and racial lines—mestizos (both de Sangleyes and de Español), insulares, and indios, among others—and sought reform through "a more equitable arrangement of both political and economic power" under Spanish tutelage.
Marcos built his campaign on the promise that his administration would change the Philippine economy and government. Marcos had inherited an economy was growing at a steady pace, but he gave the impression of even quicker results by using foreign loans to fund projects. He attracted a new breed of economic managers to work under his administration.
The Philippine revolution brought a wave of nationalistic literary works, with propagandists and revolutionaries advocating for Filipino representation or independence from Spanish authority. Illustrados like Pedro Alejandro Paterno, Graciano Lopez Jaena, Marcelo H. del Pilar, and Jose Rizal contributed to the development of Philippine literature.
The economy saw continuous real GDP growth of at least 5% since 2012. The Philippine Stock Exchange index ended 2012 with 5,812.73 points a 32.95% growth from the 4,371.96-finish in 2011. [91] The Philippines achieved an investment grade rating for the first time in the first quarter of 2013.
Bienvenido L. Lumbera (April 11, 1932 – September 28, 2021) was a Filipino poet, critic and dramatist. [1] Lumbera is known for his nationalist writing and for his leading role in the Filipinization movement in Philippine literature in the 1960s, which resulted in his being one of the many writers and academics jailed during Ferdinand Marcos' Martial Law regime.
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The beginning months of the 1970s marked a period of turmoil and change in the Philippines, [13] [14] which naturally had a significant impact on the theater arts. During his bid to be the first Philippine president to be re-elected for a second term, Ferdinand Marcos launched an unprecedented number of foreign debt-funded public works projects.