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2046 is a 2004 film written, produced and directed by Wong Kar-wai.An international co-production between Hong Kong, France, Italy, China and Germany, it is a loose sequel to Wong's films Days of Being Wild (1990) and In the Mood for Love (2000).
[citation needed] Coppola thanked Wong Kar-wai in her Oscar acceptance speech. [22] Barry Jenkins cited it as one of the 10 greatest films of all time. [23] The directors of Academy Award-winning film Everything Everywhere All at Once cited In the Mood for Love and its director Wong Kar-wai as inspirations for portions of their multiverse story ...
Days of Being Wild is a 1990 Hong Kong drama film written and directed by Wong Kar-Wai.Starring some of the best-known actors and actresses in Hong Kong, including Leslie Cheung, Andy Lau, Maggie Cheung, Carina Lau, Jacky Cheung and Tony Leung, the film marks the first collaboration between Wong and cinematographer Christopher Doyle, with whom he has since made six more films.
Wong at the 2013 Berlin Film Festival. Wong Kar-wai (born 17 July 1958) is a Hong Kong film director, screenwriter and producer. He began his career as a screenwriter in 1982, then made his directoral debut in 1988. As of 2019, he has directed 10 feature films.
2 Cast. 3 Reception. 4 ... speaking at a press conference for Wong Kar Wai’s In the Mood for Love, she and Tony Leung Chiu-wai were initially tapped to play ...
Eros is a 2004 anthology film consisting of three short segments: The Hand directed by Wong Kar-wai in Mandarin, Equilibrium by Steven Soderbergh in English, and The Dangerous Thread of Things by Michelangelo Antonioni in Italian. Each segment addresses the themes of love and sex. [2]
My Blueberry Nights is a 2007 romantic drama film directed by Wong Kar-wai, his first feature in English. The screenplay by Wong and Lawrence Block is based on a Chinese-language short film written and directed by Wong. My Blueberry Nights stars Norah Jones (in her acting debut), Jude Law, David Strathairn, Rachel Weisz, and Natalie Portman.
The site's critics consensus reads, "Wong Kar Wai's redux, with a few slight changes from his 1994 classic, is a feast for the eyes, if a little difficult to follow." [ 11 ] On Metacritic , the film has a weighted average score of 69 out of 100 based on 20 critic reviews, indicating "generally favorable reviews".