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Shakespeare's funerary monument. The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones.
This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. Determine whether a stanza is balanced or unbalanced. Help to reinforce the feeling being expressed: If the writer wants to express stubbornness, they may use tight structured rhyme schemes, whereas if one was writing about feeling lost ...
It is, however, aberrant in rhyme scheme and the number of stresses per line and is better described as having only a family resemblance to the sonnet. [157] The form was adapted by other poets later, including by Mikhail Lermontov in his narrative of "The Tambov Treasurer's Wife".
Apart from rhyme, and considering only the arrangement of ideas, and the placement of the volta, a number of sonnets maintain the two-part organization of the Italian sonnet. In that case the term "octave" and "sestet" are commonly used to refer to the sonnet's first eight lines followed by the remaining six lines.
The rhyme scheme for the octave is typically ABBAABBA. The sestet is more flexible. Petrarch typically used CDECDE or CDCDCD for the sestet. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room," a sonnet about sonnets).
The sonnet has an ABBA ABBA CDDC EE rhyme scheme ("eternalLY" is meant to rhyme with "DIE"). The last line alludes to 1 Corinthians 15:26 : "The last enemy that shall be destroyed is death". The poem's opening words are echoed in a contemporary poem, "Death be not proud, thy hand gave not this blow", sometimes attributed to Donne, but more ...
The most common rhyme scheme for an octave is ABBA ABBA. An octave is the first part of a Petrarchan sonnet, which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a conclusion of one idea, giving way to another idea in the sestet. Some English sonnets break that rule, often to striking effect.
The rhyme scheme of the sonnet is abab cdcd efef gg, the typical rhyme scheme for an English or Shakespearean sonnet. There are three quatrains and a couplet which serves as an apt conclusion. The fourth line exemplifies a regular iambic pentameter line: