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The Suzanne Farrell Ballet is a ballet company housed at the Kennedy Center, Washington, D.C., and founded in 2000 by Suzanne Farrell, one of George Balanchine's most celebrated ballerinas, and a former New York City Ballet principal dancer.
Choreography: Alexander Gorsky (after Petipa) Company: Bolshoi Ballet, Moscow Premiere: 1919 Russian choreographer Alexander Gorsky, who staged a production of The Nutcracker in Moscow in 1919, is credited with the idea of combining Clara and the Sugar Plum Fairy's roles (i.e. giving the Fairy's dances to Clara), eliminating the Sugar Plum Fairy's Cavalier, giving the Cavalier's dances to the ...
The Kennedy Center as seen from the air on January 8, 2006 (before construction of the REACH expansion). A portion of the Watergate complex can be seen at the left. The idea for a national cultural center dates to 1933 when First Lady Eleanor Roosevelt discussed ideas for the Emergency Relief and Civil Works Administration to create employment for unemployed actors during the Great Depression. [3]
First performed by the San Francisco Ballet in 1944, The Nutcracker became a smash hit when it was reworked by George Balanchine for the New York City Ballet in 1954. And the rest, they say, is ...
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
Edward Villella (born October 1, 1936) is an American ballet dancer and choreographer. He is frequently cited as America's most celebrated male dancer of ballet at the time. [1] [2] He has won numerous awards, including the Daytime Emmy Award for Outstanding Children's Special, the Kennedy Center Honors, and the National Medal of Arts.
Choreographer George Balanchine's production of Petipa and Tchaikovsky's 1892 ballet The Nutcracker is a broadly popular version of the ballet often performed in the United States. Conceived for the New York City Ballet , its premiere took place on February 2, 1954, at City Center , New York, with costumes by Karinska , sets by Horace Armistead ...
The ballet was a success and Balanchine was offered a contract for the rest of the season. He was glad to get back into ballet after years on Broadway and in Hollywood and accepted the offer. [11] Sensing Tallchief's star was on the rise, her mother demanded a raise for her daughter.
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