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Bach composed the cantata in Leipzig for the 27th Sunday after Trinity. [4] This Sunday occurs only when Easter is early. [5] The prescribed readings for the Sunday were from the First Epistle to the Thessalonians, be prepared for the day of the Lord (1 Thessalonians 5:1–11), and from the Gospel of Matthew, the parable of the Ten Virgins (Matthew 25:1–13).
Christ lag in Todes Banden BWV 4 Chorale cantata by J. S. Bach Soprano part from opening chorus with text in Bach's own hand, St. Thomas Church, Leipzig, 1724/1725 Key E minor Occasion First Day of Easter Chorale " Christ lag in Todes Banden " by Martin Luther Performed 24 April 1707 (1707-04-24) Published 1851 (1851) Duration About 20 minutes Movements 8 Vocal SATB Instrumental Cornetto 3 ...
The late church cantatas by Johann Sebastian Bach are sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have ...
Around the start of the Bach Revival in the 19th century, almost no manuscripts of Bach's music remained in St. Thomas in Leipzig, apart from an incomplete chorale cantata cycle. In Leipzig the chorale cantatas were, after the motets , the second most often performed compositions of Bach between the composer's death and the Bach Revival.
Allein zu dir, Herr Jesu Christ BWV 33 Chorale cantata by J. S. Bach St. Thomas Church, Leipzig Occasion 13th Sunday after Trinity Chorale " Allein zu dir, Herr Jesu Christ by Konrad Hubert Performed 3 September 1724 (1724-09-03): Leipzig Movements six Vocal SATB choir solo: alto, tenor and bass Instrumental 2 oboes 2 violins viola continuo Johann Sebastian Bach composed the church cantata ...
Bach composed the cantata in his second year in Leipzig for St. Michael's Day. [2] [3] [4] That year, Bach composed a cycle of chorale cantatas, begun on the first Sunday after Trinity of 1724. [4] [5] The feast celebrated the Archangel Michael and all the angels each year on 29 September. [4] [6] In Leipzig, the day coincided with a trade fair ...
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[4] Movement 4 is in A minor, but the cantus firmus of the trumpet is nonetheless in C major, in "a battle for harmonic supremacy". [4] In the final movement of his Christmas Oratorio Bach would later embed the chorale in doric mode in a concerto in D major. The independent vocal line quotes parts of the chorale melody several times.
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