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In the Red Sparrow book trilogy , written by former CIA diplomat Jason Matthews, the protagonist, Dominika Egorova, is described to experience synesthesia that extends beyond words and sounds to human emotions. She is said to see coloured halo's around people's heads and shoulders that display their emotions and character.
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
In social psychology, a construal is a way that people perceive, comprehend, and interpret their world, particularly the acts of others toward them. Researchers and theorists within virtually every sub-discipline of psychology have acknowledged the relevance of a subjective construal, especially with regards to the concepts of the false ...
For example, if part of a shape's border is missing people still tend to see the shape as completely enclosed by the border and ignore the gaps. Good Continuation: the principle of good continuation makes sense of stimuli that overlap: when there is an intersection between two or more objects, people tend to perceive each as a single ...
This category should contain only sub-categories, and a small number of articles on people who have influenced literature but do not fit into any of the sub-categories. See also: Category:Literary characters
The Catcher in the Rye is a novel by American author J. D. Salinger that was partially published in serial form in 1945–46 before being novelized in 1951. Originally intended for adults, it is often read by adolescents for its themes of angst and alienation, and as a critique of superficiality in society.
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
In his 1990 book Words with Power, Frye proposed the literary device of metaphor to be a method of inciting identification in the reader. [10] Frye said that a metaphor not only identifies one thing with another, but both things with the reader, creating an experience of identification which merges the reader with the text.