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Metaphors We Live By is a book by George Lakoff and Mark Johnson published in 1980. [1] [2] The book suggests metaphor is a tool that enables people to use what they know about their direct physical and social experiences to understand more abstract things like work, time, mental activity and feelings.
In the Red Sparrow book trilogy , written by former CIA diplomat Jason Matthews, the protagonist, Dominika Egorova, is described to experience synesthesia that extends beyond words and sounds to human emotions. She is said to see coloured halo's around people's heads and shoulders that display their emotions and character.
"The Yellow Wallpaper" is sometimes cited as an example of Gothic literature for its themes of madness and powerlessness. [15] Alan Ryan introduced the story by writing: "quite apart from its origins [it] is one of the finest, and strongest, tales of horror ever written. It may be a ghost story. Worse yet, it may not."
The Cossacks is believed to be somewhat autobiographical, partially based on Tolstoy's experiences in the Caucasus during the last stages of the Caucasian War. [6] Tolstoy had a wild time in his youth, engaging in sex with numerous women, heavy drinking, and excessive gambling; many argue Tolstoy used his own past as inspiration for the protagonist Olenin.
For example, if part of a shape's border is missing people still tend to see the shape as completely enclosed by the border and ignore the gaps. Good Continuation: the principle of good continuation makes sense of stimuli that overlap: when there is an intersection between two or more objects, people tend to perceive each as a single ...
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
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The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...