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Shiva is the supreme God and performs all actions, of which destruction is only but one. Ergo, the Trimurti is a form of Shiva Himself for Shaivas. Shaivites believe that Shiva is the Supreme, who assumes various critical roles and assumes appropriate names and forms, and also stands transcending all these. [ 16 ]
11th-century statue of Shiva as Nataraja, the lord of the dance. Shiva, the destroyer deity, is the Ultimate Reality in Shaiva tradition. He is the spouse of Parvati, the goddess of power. He is represented by his forms, Mahakala and Bhairava. Shiva is often pictured holding the damaruka, an hourglass-shaped drum, along with his trishula, a ...
Shiva is known as The Destroyer within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. [7] [21] In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe.
This movie chronicles the various "adventures" of Lord Shiva where he played with his devotees, especially, the key Nayanmars of Appar, Sundarar, Thirugnanasambandhar, Tiru Kurippu Thondar and Sekkizhar woven into a intricate narration.
The Ekapada form of Shiva originated from the Vedic deity Aja Ekapada or Ajaikapada, a name that Ekapada Bhairava still inherits. Ekapada represents the Axis Mundi (cosmic pillar of the universe) and portrays Shiva as the Supreme Lord, from whom Vishnu and Brahma originate. Ekapada is often accompanied by ascetic attendants, whose presence ...
In the Shiva Purana there is a distinctly Saivite version of a traditional avatar myth: Shiva brings forth Virabhadra, one of his terrifying forms, in order to calm Narasimha, an avatar of Vishnu. When that fails, Shiva manifests as the human-lion-bird Sharabha which calms down lion-man Narasimha avatar of Vishnu, and Shiva then gives Vishnu a ...
Shiva and Vishnu are both viewed as the ultimate form of god in different Hindu denominations. Harihara is a composite of half Vishnu and half Shiva, mentioned in literature such as the Vamana Purana (chapter 36), [145] and in artwork found from mid 1st millennium CE, such as in the cave 1 and cave 3 of the 6th-century Badami cave temples.
The destruction of the three cities accomplished, Shiva stood upon the ruins and began to perform the great dance of Tandava Nritya (known also as Tripura Nasha Nartana) by which (as Nataraja, Lord of the Dance) he alternately calls the cosmos into being and banishes it into non-existence in an endless cycle like the beating of a heart. [2] [3]