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This short treatise professes to be the introduction to a translation of a speech by Demosthenes called On the Crown, and a speech of his rival, Aeschines, called Against Ctesiphon. Cicero was an advocate of free translation: "The essence of successful oratory, he insists, is that it should 'instruct, delight, and move the minds of his audience ...
Collier, instead, preferred his restrictions imposed on comedy (e.g. his rigid Neoclassical notions of dramatic decorum) and in doing so he followed a logic similar to what is found in the work of other critics who had imposed the law of poetic justice on tragedy (e.g. Thomas Rymer and his A Short View of Tragedy (1693)).
A Short Organum for the Theatre" ("Kleines Organon für das Theater") is a theoretical work by the twentieth-century German theatre practitioner Bertolt Brecht. [1] It was written while in Switzerland in 1948 and published in 1949. [ 2 ]
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Contra errores Graecorum, ad Urbanum IV Pontificem Maximum (Against the Errors of the Greeks, to Pope Urban IV) is a short treatise (an "opusculum") written in 1263 by Roman Catholic theologian Saint Thomas Aquinas as a contribution to Pope Urban's efforts at reunion with the Eastern Church. [1]
The Discourse on Metaphysics (French: Discours de métaphysique, 1686) is a short treatise by Gottfried Wilhelm Leibniz in which he develops a philosophy concerning physical substance, motion and resistance of bodies, and God's role within the universe. It is one of the few texts presenting in a consistent form the earlier philosophy of Leibniz.
Atys is a tragédie en musique, an early form of French opera, in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's Fasti.It was premiered for the royal court on 10 January 1676 [1] by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye.
In a short treatise on the various cursus entitled "Ratio de Cursus qui fuerunt ex auctores" (sic in Cotton Manuscripts, Nero A. II, in the British Library), written about the middle of the eighth century, probably by an Irish monk in France, is found perhaps the earliest attribution of the Milan use to St. Ambrose, though it quotes the ...