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  2. Semiotics of fashion - Wikipedia

    en.wikipedia.org/wiki/Semiotics_of_fashion

    The semiotic system is formed by social interests and ideologies, and the fashion system is no different. [5] In our society the ideologies in fashion are often implemented by celebrities or the dominant class. Jackie Kennedy was an important style icon for American women during the 1960s, where her style became a symbol of wealth, power and ...

  3. Semiotics of dress - Wikipedia

    en.wikipedia.org/wiki/Semiotics_of_dress

    A clothing piece one may use for reference is the décolletage, which was "first in use during the end of the Middle Ages". [4]: 10 Symbolism in clothing or dress is very much subjective, unlike clothing signs. Symbols in clothing don't represent one's level in a social institution.

  4. Footwear - Wikipedia

    en.wikipedia.org/wiki/Footwear

    Fashion houses periodically prompted new trends in women's and high-end fashion. In particular, while working for Christian Dior , Roger Vivier popularized the stiletto heel in 1954. (Men's dress shoes have tended to retain 19th-century British looks such as the Oxford shoe and loafers .)

  5. Portal:Fashion - Wikipedia

    en.wikipedia.org/wiki/Portal:Fashion

    Fashion design is the art of applying design, aesthetics, clothing construction and natural beauty to clothing and its accessories. It is influenced by culture and different trends and has varied over time and place. "A fashion designer creates clothing, including dresses, suits, pants, and skirts, and accessories like shoes and handbags, for ...

  6. Spats (footwear) - Wikipedia

    en.wikipedia.org/wiki/Spats_(footwear)

    Another reason for the decline in women's use of spats was the popularity of open-topped shoes with interesting visual details like straps and cutouts in the 1920s. Rising hemlines made it possible for women to show off more intricate footwear, which was meant to be visible, not covered by spats. [5]

  7. Dress - Wikipedia

    en.wikipedia.org/wiki/Dress

    The upper part of women's dresses in the Edwardian era included a "pigeon breast" look that gave way to a corseted waist and an s-shaped silhouette. [54] Women called their dresses "waists" if one-piece, or "shirtwaists," if it consisted of a skirt and a blouse. [55] The bodice of the dresses had a boned lining. [55]

  8. Chinese auspicious ornaments in textile and clothing

    en.wikipedia.org/wiki/Chinese_auspicious...

    Peach blossoms are symbols of spring season and happiness. [17] Peony flowers. Peony flowers are symbols of prosperity, [22] wealth, and honour; [5] they also a symbol of spring and feminine beauty. [4] Peonies are often used on Chinese women's clothing. [4] Plum blossoms. Plum blossoms are symbol of winter season as it blooms in the cold. [17]

  9. 1550–1600 in European fashion - Wikipedia

    en.wikipedia.org/wiki/1550–1600_in_European...

    Fashionable shoes for men and women were similar, with a flat one-piece sole and rounded toes. Shoes were fastened with ribbons, laces or simply slipped on. Shoes and boots became narrower, followed the contours of the foot, and covered more of the foot, in some cases up to the ankle, than they had previously.