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Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
The bass guitar, electric bass or simply bass (/ beɪs /) is the lowest-pitched member of the guitar family. It is a plucked string instrument similar in appearance and construction to an electric or acoustic guitar, but with a longer neck and scale length. The bass guitar most commonly has four strings, though five- and six-stringed models are ...
Standard tuning (listen) Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e ...
Among alternative tunings for the guitar, all-fourths tuning is a regular tuning. [1] In contrast, the standard tuning has one irregularity—a major third between the third and second strings—while having perfect fourths between the other successive strings. [2][3] The standard tuning's irregular major-third is replaced by a perfect fourth ...
Baritone (older use) / 6 string bass (older use) such as the Fender Bass VI – E 1 A 1 D 2 G 2 B 2 E 3 (Similar to a standard guitar but an octave lower, and often played like a standard guitar rather than a bass guitar.) Baritone guitar (contemporary versions) – B 1 E 2 A 2 D 3 F♯ 3 B 3 a fourth below standard tuning, although A 1 to A 3 ...
The increased polyphony of extended-range basses allows for voicings (chords, arpeggios) of five or more notes, as well as wider voicings such as "drop 3", "drop 2+4" and "spreads." Walking a bassline and comping at the same time is also possible, which is useful in jazz combos lacking a chordal instrument, or in accompaniment of a chordal ...
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