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In 1846, Lassell discovered Triton, the largest moon of Neptune, just 17 days after the discovery of Neptune itself by German astronomer Johann Gottfried Galle, using his self-built instrument. [8] [9] [10] In 1848, he independently co-discovered Hyperion, a moon of Saturn. [9] [11] In 1851 he discovered Ariel and Umbriel, two moons of Uranus.
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
In standard jazz harmony, tritone substitution works because the two chords share two pitches that themselves are a tritone apart: namely, the third and the seventh of the chord, albeit reversed. [8] In a G 7 chord, the third is B and the seventh is F; in its tritone substitution, D ♭ 7, the third is F and the seventh is C ♭ (enharmonically ...
The setlist for Got Back, as with McCartney's other concert tours as a solo artist, included songs by his former bands the Beatles and Wings, as well as songs from his solo career. In addition to McCartney, the tour band included Rusty Anderson on guitar, Brian Ray on guitar and bass, Paul "Wix" Wickens on keyboards, and Abe Laboriel Jr. on ...
The song was recorded as a single B-side and was the last tracked for the sessions. Partridge sang the lead vocal while inebriated. After the band returned to England, they agreed to Rundgren overdubbing some brass samples, although he ultimately got the chords wrong. [83] "Terrorism", "The Troubles", and "Find the Fox" were all rejected by ...
Triton (/ ˈ t r aɪ t ɒ n /; Ancient Greek: Τρίτων, romanized: Trítōn) is a Greek god of the sea, the son of Poseidon and Amphitrite. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having a conch shell he would blow like a trumpet. [citation needed]
A remix of the song featuring rock band Sum 41 was also released as a single, featuring a much more rock and punk sound than the original song. The "Sum 41 Rock Remix" version was released as a bonus track on iTunes in the UK in both Ludacris' album The Red Light District and Sum 41's album Chuck.
The musically "lazy" chord structure viewed in combination with the meta-lyrics reveal the true extent of what a critic for The A.V. Club describes as song's "genius": "the commentary is a big joke about how listeners will like just about anything laid on top of the chords of the infinitely clichéd Pachelbel canon, even lyrics that openly mock ...