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The poem itself is about poems and how black artists must stand for being black and not copy or imitate white poets. Baraka is calling for black artists to have meaning in their art and produce content that defends their blackness. Baraka felt that his work should fully divulge the nationwide racism and create "poems that kill".
Amiri Baraka (born Everett Leroy Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, [1] was an American writer of poetry, drama, fiction, essays, and music criticism.
Ron Allen, poet, playwright [1]; Elizabeth Alexander, poet, essayist, playwright [2]; Maya Angelou, novelist, poet, and activist [3]; Amiri Baraka, poet, writer ...
Hettie Jones, an award-winning author, publisher and educator who was the first wife and early muse of the author-poet-activist Amiri Baraka and one of the few women in the Beat literary community ...
Youngest person and first Black American to be the U.S. Poet Laureate and Consultant in Poetry at the Library of Congress. [4] [5] Sharon Draper (born 1948) W. E. B. Du Bois (1868–1963) writer, sociologist, and activist, who was a founding member of the NAACP [6] His most notable work is The Souls of Black Folk. [7]
Pages in category "Poetry by Amiri Baraka" This category contains only the following page. This list may not reflect recent changes. B. Black Art (poem)
The phrase was taken from the poem, "Black People!" by Amiri Baraka (LeRoi Jones): "The magic words are: Up against the wall, mother fucker, this is a stick up!" This, in turn, was a reference to a phrase "supposedly barked by Newark cops to Negroes under custody."
One-time Beat writer LeRoi Jones/Amiri Baraka helped initiate the Black Arts movement. [70] As there was a focus on live performance among the Beats, many Slam poets have claimed to be influenced by the Beats. Saul Williams, for example, cites Allen Ginsberg, Amiri Baraka, and Bob Kaufman as major influences. [71]