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The End of All Things to Come is the second studio album by American heavy metal band Mudvayne.Released on November 19, 2002, the album expanded upon the sound of the band's first album, L.D. 50, with a more versatile range of sounds, dynamic, moods and vocalization.
It is the final single from the band's second album, The End of All Things to Come. The song is very different from the rest of the band's work, being much more mellow while building intensity during the song's bridge and ending. Its lyrics take on a saddened and deeply personal tone in their sense of resentment toward society.
In 2002, Mudvayne released The End of All Things to Come, which the band considers its "black album" due to its largely-black artwork. [18] Isolation inspired the album's songs. During its mixing, Gray and McDonough stopped at Bob's Big Boy and Gray remembered overhearing someone "say something like, ' ... and he's got to cut his own eye out ...
BBC Music made comparisons with the music of My Chemical Romance and stated that the song consisted of "double-speed punk backbeat, the apocalyptic end-of-all-things lyrics, the massive terrace chant chorus, the strange effect on the vocals and the general air of churning turmoil". It was also described as being dramatic and raised expectations ...
I wanted to celebrate it." He penned much of the album's lyrics in the city itself: "There's some glitz, some glamour, but there's also the dingy, old Vegas side to the music." The record's lyrics are very personal in nature. The first track, "This is Gospel" (written by Urie and bassist Dallon Weekes), talks about Smith's drug addiction.
Kill, I Oughtta was issued by Epic Records under the title The Beginning of All Things to End on November 20, 2001, which features three bonus tracks, including remixes of "Dig", and "L.D. 50", a 17-minute sound collage which originally appeared as interludes on the album of the same name.
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In his lyrics, Harrison drew inspiration from Timothy Leary's poem "All Things Pass", a psychedelic adaptation of the Tao Te Ching. The subject matter deals with the transient nature of human existence, and in Harrison's All Things Must Pass reading, words and music combine to reflect impressions of optimism against fatalism.