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Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.
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The hey-day of the New Criticism in American high schools and colleges was the Cold War decades between 1950 and the mid-seventies. Brooks and Warren's Understanding Poetry and Understanding Fiction both became staples during this era. Studying a passage of prose or poetry in New Critical style required careful, exacting scrutiny of the passage ...
In literary criticism, close reading is the careful, sustained interpretation of a brief passage of a text. A close reading emphasizes the single and the particular over the general, via close attention to individual words, the syntax, the order in which the sentences unfold ideas, as well as formal structures.
Understanding Poetry, according to an article at the Modern American Poetry Web site, "codified many of the so-called New Critical ideas into a coherent approach to literary study. Their book, and its companion volume, Understanding Fiction (1943), revolutionized the teaching of literature in the universities and spawned a host of imitators who ...
An example of scansion over a quote from Alexander Pope. Scansion (/ ˈ s k æ n. ʃ ə n / SKAN-shən, rhymes with mansion; verb: to scan), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse.
The theory of anxiety of influence is a theory applied principally to early nineteenth century romantic poetry. Its author, Harold Bloom , maintains that the theory has general applicability to the study of literary tradition, ranging from Homer and the Bible to Thomas Pynchon and Anne Carson in the 20th and 21st century.
Lyric poetry is a genre that, unlike epic and dramatic poetry, does not attempt to tell a story but instead is of a more personal nature. Poems in this genre tend to be shorter, melodic, and contemplative. Rather than depicting characters and actions, it portrays the poet's own feelings, states of mind, and perceptions. [156]