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How Stella Got Her Groove Back: Music from the Motion Picture is the soundtrack to the 1998 film, How Stella Got Her Groove Back.It was released on August 11, 1998, through Flyte Tyme Records and consisted mainly of R&B music.
Rhyme & Reason (Original Motion Picture Soundtrack) is the soundtrack to Peter Spirer's 1997 documentary film Rhyme & Reason. It was released on January 14, 1997 through Priority Records . The album found a great deal of success, peaking at #16 on the Billboard 200 and #1 on the Top R&B/Hip-Hop Albums chart in the United States.
To Fly! is a 1976 American short docudrama film directed by Greg MacGillivray and Jim Freeman of MacGillivray Freeman Films, who wrote the story with Francis Thompson, Robert M. Young, and Arthur Zegart. It premiered at the giant-screen IMAX theater of the National Air and Space Museum, which opened to celebrate the United States Bicentennial.
It was featured on the soundtrack to the 2006 film The Fast and the Furious: Tokyo Drift. [1] and was the first song played during the ending credits. In the album version it features rapper Juelz Santana but in the movie version Santana's verse is not included.
"The Reason" (Hoobastank song) "The Reason" (Celine Dion song) The Reason (Beanie Sigel album) The Reason (Diamond Rio album) The Reason (Lemar album) The Reason (X Ambassadors EP) The Reason (band) "The Reason", a song by the Blizzards, from Domino Effect "The Reason", a song by Lower Than Atlantis from Lower Than Atlantis
Blessings and Miracles features two songs written by Santana's children: "Breathing Underwater", by Stella, and "Rumbalero", by Salvador. When he heard the latter for the first time, he had to Shazam it to find out it was his own son's music. He requested permission from both to record their songs on his then upcoming album and both thought he ...
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It is a collection of original songs curated by Gary Barlow, and includes tracks by some of the biggest names in 1980s pop music. The project was kicked off by film producer and director Matthew Vaughn , who asked Barlow to put together the album because he was reluctant to score the film with "overused" 80s hits. [ 1 ]