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A goat being slaughtered at Kali Puja.Painting by an Indian artist dated between 1800 and 1899. Inscription on verso: "A Hindoo sacrifice" Vāmācāra (Sanskrit: वामाचार, Sanskrit pronunciation: [ʋaːmaːtɕaːɽɐ]) is a tantric term meaning "left-hand path" and is synonymous with the Sanskrit term vāmamārga.
The formal Hindi standard, from which much of the Persian, Arabic and English vocabulary has been replaced by neologisms compounding tatsam words, is called Śuddh Hindi (pure Hindi), and is viewed as a more prestigious dialect over other more colloquial forms of Hindi. Excessive use of tatsam words sometimes creates problems for native ...
The end of a sentence or half-verse may be marked with the "।" symbol (called a daṇḍa, meaning "bar", or called a pūrṇa virām, meaning "full stop/pause"). The end of a full verse may be marked with a double-daṇḍa, a "॥" symbol. A comma (called an alpa virām, meaning "short stop/pause") is used to denote a natural pause in speech.
Urdu is written from right to left, and most letters link together. This leads to variations in the form of a letter depending on its position in a word. Most vowels are omitted in generic texts, although they may be written for disambiguation or for pedagogical purposes.
Ambidexterity is the ability to use both the right and left hand equally well. [1] [2] When referring to objects, the term indicates that the object is equally suitable for right-handed and left-handed people. When referring to humans, it indicates that a person has no marked preference for the use of the right or left hand.
The Abhayamudra "gesture of fearlessness" [5] represents protection, peace, benevolence and the dispelling of fear. In Theravada Buddhism it is usually made while standing with the right arm bent and raised to shoulder height, the palm facing forward, the fingers closed, pointing upright and the left hand resting by the side.
In heraldry, right and left is always used in the meaning of proper right and proper left, as for the imaginary bearer of a coat of arms; to avoid confusion, the Latin terms dexter and sinister are often used. [5] The alternative is to use language that makes it clear that the viewer's perspective is being used.
As Sunda and Upasunda were enjoying a dalliance with women and engrossed in drinking liquor along a riverbank in the Vindhya mountains, Tilottama appeared there plucking flowers. Bewitched by her voluptuous figure and drunk with power and liquor, Sunda and Upasunda took hold of Tilottama's right and left hands respectively.