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The Chilean New Song movement was spurred by a renewed interest in Chilean traditional music and folklore in the late 1950s and early 1960s. Folk singers such as Violeta Parra and Víctor Jara traversed the regions of Chile both collecting traditional melodies and songs and seeking inspiration to create songs with social themes. These songs ...
Since the mid to late 1980s, hip hop music have had a considerable influence on the Chilean music scene and culture. People of Chile had their first contact with this genre through the television and radio. First to appear and gain popularity were Breakdance and breakers groups: “Montaña Breakers”, “B14”, “T.N.T.”, “Floor Masters”.
A Traditional Music Library: folk music, sheet music: 60,000 Traditional and folk music from around the world. Includes downloadable PDF scores and MIDI backing tracks for many of the songs. Rod Smith (musician) Vatican Exhibit Main Hall: Music: Renaissance: 23 Colour JPEGs of Renaissance manuscripts. ibiblio: Ville de Laon: Bibliothèque ...
The Guitarrón Chileno (literally: "large Chilean guitar") is a guitar-shaped plucked string instrument from Chile, with 25, 24 (rarely), or even 26 strings. Its primary contemporary use is as the instrumental accompaniment for the traditional Chilean genre of singing poetry known as Canto a lo Poeta , though a few virtuosi have also begun to ...
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Mariano Egaña, Chilean Minister in London, acting on the criticism that Robles' song was receiving, asked Carnicer to compose a new hymn with Bernardo de Vera's original text. The Spanish musician probably wrote the work by 1827, the date he returned to Barcelona, and his hymn debuted in Santiago , in the Arteaga theater on 23 December 1828.
The payada is a folk music tradition native to Argentina, Uruguay, southern Brazil, and south Paraguay as part of the Gaucho culture and Gaucho literature. In Chile it is called paya and performed by huasos. It is a performance of improvised ten-line verse called décimas usually accompanied by guitar.
Si vas para Chile (transl. 'If you go to Chile') is a waltz composed by the Chilean musician Chito Faró, stage name for Enrique Motto Arenas, in 1942.It is one of the most popular songs in Chilean music and it has been covered by many artists, including Los Huasos Quincheros and Los Cuatro Cuartos.