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The inspiration for "Life and Death Are Wearing Me Out" came from the author Mo Yan's real life. One of the protagonists of the novel, Lan Lian, is based on a single worker in Mo Yan's hometown. This single worker was the only person in the village who was different from the others at that time.
It is common to depict suicide in literature. Suicide , the act of deliberately killing oneself, is a prominent action in many important works of literature. Authors use the suicide of a character to portray defiance, despair, love, or honor.
Grief is the response to the loss of something deemed important, particularly to the death of a person or other living thing to which a bond or affection was formed. Although conventionally focused on the emotional response to loss, grief also has physical, cognitive, behavioral, social, cultural, spiritual and philosophical dimensions.
Common philosophical opinion of suicide since modernization reflected a spread in cultural beliefs of western societies that suicide is immoral and unethical. [2] One popular argument is that many of the reasons for committing suicide—such as depression, emotional pain, or economic hardship—are transitory and can be ameliorated by therapy and through making changes to some aspects of one's ...
The book includes examples of beauty flowing from embracing the melancholy, and offers advice for moving through loss, allowing pain to inform leadership, and reckoning with the inevitability of death. [9] Bittersweet is based on the premise that "light and dark, birth and death—bitter and sweet—are forever paired". [1]
A different psychological side-effect of immortality depicted in some works such as the aforementioned In Time, the works of Roger Zelazny, and Andrei Irkutov's 1924 short story "Immortality" is an increased fear of death, immortal life being "too precious to risk".
Crantor advocated metriopatheia, a tactic for dealing with strong emotions. [5] Cicero's consolatio is widely accepted as the distinct work that transmitted the earlier consolatio literary tradition to the Romans of the late Republic. [4] In the Early Imperial Age, most consolatio works were constructed within the framework of Stoicism.
The Tolkien scholar Tom Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." [8] In a 1968 BBC television broadcast, Tolkien quoted French philosopher Simone de Beauvoir and described the inevitability of death as the "key-spring of The Lord of the Rings ...