Search results
Results from the WOW.Com Content Network
The vihuela (Spanish pronunciation:) is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory.
The Mexican vihuela is a small, deep-bodied rhythm guitar built along the same lines as the guitarrón. The Mexican vihuela is used by Mariachi groups. This instrument is strummed with all of the fingernail tips to produce a rich, full and clear sound of the chords being played.
Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. [158] By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain.
The guitarrón is used in Mexican Mariachi groups, which usually consist of at least two violins, two trumpets, one Spanish guitar, a vihuela (a high-pitched, five-string guitar-type instrument), and the guitarrón. A strap is usually used to keep the instrument up and playable.
vihuelas de concheros or vihuela conchera: with 5 double courses (10 strings). Tuned as vihuela, but in the 3rd, 4th and 5th courses, each string in a course tuned to an octave of the other string. [3] [4] [5] guitarras de concheros or guitarra conchera: with 6 double courses (12 strings).
The vihuela de arco may be a variant of the vielle. Spain had a variety of fiddles (which predate the violin) in the cathedral artwork and manuscript miniatures. Possibly the vihuela de arco (bowed vihuela) and vihuela de penola (quill plucked vihuela) The bowed instrument could be called a vielle: Vihuela de arco (bowed vihuela).
Get answers to your AOL Mail, login, Desktop Gold, AOL app, password and subscription questions. Find the support options to contact customer care by email, chat, or phone number.
Fuenllana preferred the voice accompanied by vihuela to the vihuela solo. The vocal parts are written in red ciphers, indicating which notes are to be sung while the black ones are to be played on the vihuela; alternatively, one can play the whole intabulation although it is often very demanding (e.g., Mateo Flecha's Ensalada 'La Bomba' in the ...