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John Singer Sargent (/ ˈ s ɑːr dʒ ən t /; January 12, 1856 – April 14, 1925) [1] was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury.
The dimensions may owe something to the influence of Diego Velázquez's Las Meninas, which Sargent had copied, and which presages the geometric format and broad, deep spaces of Sargent's painting. [5] [6] When the painting was first exhibited, contemporary critics, including Henry James, wrote of Sargent's debt to Velázquez. [7]
It has exhibited the works of Mary Cassatt, Claude Monet, Cecilia Beaux, Rockwell Kent, John Singer Sargent, Daniel Chester French, and Childe Hassam. [ 5 ] In 1924, Concord Art Association inaugurated the bronze Medal of Honor, with an eagle on one side and a pine cone on the other, for meritorious works of art.
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
John Singer Sargent, Claude Monet Painting by the Edge of the Wood, 1885 - Tate Collection. After Camille Monet's death in 1879, Monet and Alice (along with the children from the two respective families) continued living together at Poissy and later at Giverny. [21]
The Breakfast Room by Edmund C. Tarbell, ca. 1902. The Boston school was a group of Boston-based painters active in the first three decades of the twentieth century.Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western ...
John Singer Sargent was an American artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian era luxury. [1] During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings.
The painting is referenced by Sargent's. The painting was completed in March 1919, and Sargent was paid his £600 fee. It was first displayed at the Royal Academy in London in 1919. [1] [9] It was voted picture of the year by the Royal Academy of Arts in 1919. [6] [10] The painting was not universally liked: E. M. Forster considered it too ...