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International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine , as well as Klein's often thick and textured application of paint to canvas .
IKB 79 is a painting by French artist Yves Klein, made in 1959. It is one of his monochrome series of around 200. It uses a shade of blue that he developed, International Klein Blue, based on the pigment ultramarine. The painting has the dimensions of 139.7 by 119.7 cm. It is held at the Tate Modern, in London. [1] [2]
Klein in his final years had assembled a group of three colours who were more significant to him, blue, more exactly his own International Klein Blue, gold and pink. This trilogy could be interpreted as having a religious symbology, similar to the Christian concept of the Trinity. He created several paintings using each one of these three colours.
Hiroshima is one of Klein's famous anthropometries, where he wanted to pay tribute to the victims of this tragic event. His anthropometries feature naked women covered in his own International Klein Blue and whose bodily imprints affixed to a canvas would create the final works.
The Manics' bassist and lyricist Nicky Wire told the Quietus ""There was a joy to 'International Blue' that we weren't sure we could convey any more, the feeling of being in love with something like Yves Klein, to pass on the joy of that colour and that vividness – we weren't sure if we still had it in us. It sounds quite young." [30] In 2017 ...
Artists throughout history—from Vermeer and Klimt to Miro and Mondrian—have used the color extensively. In fact, 20th-century French artist Yves Klein loved the shade so much that he patented ...
YInMn Blue (/jɪnmɪn/; for the chemical symbols Y for yttrium, In for indium, and Mn for manganese), also known as Oregon Blue or Mas Blue, is an inorganic blue pigment that was discovered by Mas Subramanian and his (then) graduate student, Andrew Smith, at Oregon State University in 2009.
International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine, as well as Klein's often thick and textured application of paint to canvas. Klein never patented the color, only submitting a Soleau envelope without progressing to the patent stage. [20]