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The Mae Shi is an American art punk and experimental pop band from Los Angeles, California, formed in 2002. [1] They are known for making frantic and joyous music that explores dark themes using a wide variety of sounds, instruments, and music genres. [ 2 ]
HLLLYH (either Halleluyah or Hell Yeah) is the fourth and final studio album by Los Angeles–based experimental punk band The Mae Shi. It was released on February 11, 2008. [ 1 ] It is a concept album about Judeo-Christian religion , featuring mediations on stories of the Old Testament .
Heartbeeps is the third album by Los Angeles–based experimental punk band The Mae Shi.It was released on June 7, 2005. [3] Notable influences on the musical style of the record include Melt-Banana, Deerhoof and UK grime, as well as their adolescent love of Def Leppard, Nine Inch Nails, Dante’s Inferno and worship music.
Smile 2 hit theaters on October 17, and since it's a strictly theatrical release at first, it won't be available to stream right away. Generally, Paramount Pictures new releases hit Paramount+ ...
One Too Many Mornings is a 2010 independent comedy film directed by Michael Mohan, who co-wrote the film with Anthony Deptula and Stephen D.B. Hale.Deptula and Hale also star in the film alongside Tina Kapousis, Red State Update's Jonathan Shockley, and the Actors' Gang's V.J. Foster. [1]
The Mae Shi explained the group's inspiration to write the song in a statement. [8] [9] The group felt Bale's outburst was irrational and was motivated to write a piece about it. [8] [9] The Mae Shi emphasized in their statement that this was not a traditional song associated with their group's normal work, but rather a homage to Bale. [8] [9]
Terrorbird is the debut album release by Los Angeles–based experimental punk band The Mae Shi. It was released in July 2004 on CD by 5 Rue Christine and on vinyl by Strictly Amateur Films. The original pressing of the record was limited to 500 copies.
The movie is filmed in one single, continuous 88 minute shot. The director states that the film was inspired by Richard Linklater and Woody Allen, with dialogue intended to be "a lot of fast-paced one-liners. A lot of philosophy."
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